Raiders of the Lost Ark

Retroist Scoreboard: Beware the Ides of May – From Raiders To Reynolds

Mid-May has been crazy, so apologies for the Retroist Scoreboard taking an unscheduled break. But hey, there’s some seriously good stuff to talk about now that we’re back.

Intrada Records has released a new 3-CD edition of the late, great Jerry Goldsmith’s score from Poltergeist II. Now, you may well be asking yourself how one squeezes a 3-CD set out of a single movie that doesn’t even last three hours, but this set is a real treat for Goldsmith afficionados.

Poltergeist II

The three-disc set presents, across two discs, the distinctly different digital and analog mixes of the complete score, along with a bonus third disc presenting several key cues from the film as Goldsmith originally scored them, featuring hair-raisingly unearthly choral performances that were frequently left off the sound mix in the final movie. Best of all, Intrada isn’t charging an arm and a leg just because of the disc count, so even if you have a previous release of this soundtrack, your wallet will not be forever haunted by upgrading to this release.

Poltergeist II

Quartet Records has released a very limited edition (1,000 copies) of Frank de Vol’s scores from two ’70s Burt Reynolds movies, Hustle and The Longest Yard, on a single disc. The Hustle score, among its other selling points, has the best track title this author has ever seen on a compact disc of any genre, “Phychedelicatessen”.

Hustle

In a rare instance of what’s normally thought of as a soundtrack label dipping its toes into the mainstream, Varese Sarabande has released The Very Best Of Peter Cetera, decidedly not a soundtrack release…or is it? Crowded with tracks such as “The Glory Of Love”, “Daddy’s Girl”, “After All” and “Stay With Me”, all of which were prominently featured in hit movies, this isn’t such an “out of left field” release for Varese after all – late ’80s Hollywood saw Cetera as a soundtrack (and publicity) goldmine.

Peter Cetera

June 2nd will see the release of a new vinyl pressing of John Williams’ legendary Raiders of the Lost Ark score, this time with additional material that wasn’t featured on the 1981 LP. If you have the 2008 CD box set, there isn’t anything you haven’t already heard here, but this 2-record set from Concord is an eye-catching addition to your vinyl collection. Support for “Indy” music, indeed!

Raiders of the Lost Ark - CD Release

Track List from the CD release.

Looking even further ahead, word has hit the internet, by way of composer W.G. “Snuffy” Walden, that we might be getting a long, long overdue release of music from The West Wing this summer, while September will see the release of one, if not two, albums of music from Showtime’s revival of Twin Peaks. And La-La Land Records, almost the de facto label for Star Trek music these days, is apparently in early negotiations with CBS to discuss a soundtrack release for Star Trek: Discovery…even though it’s not known who will be doing the music. This is shaping up to be an exciting year for fans of TV soundtrack music…

…and we’re not even halfway through the year yet. Buckle up, because there may be even more soundtrack news very soon.

Speaking of the legendary score by John Williams for Raiders of the Lost Ark – why not listen to the composer discuss his work?

[Via] Maestro Sanaboti

Who Does Peter Cetera “Wanna Take Forever Tonight” With?

I’m not asking you if you wanna take forever tonight with Peter Cetera, that is the actual name of the song!

The funny thing is, I originally came up with this idea while listening to the aforementioned Peter Cetera song. As I write this opening line, I’m listening to a different song from the same album.

Anyway…

“Cetera: Lord of the Ladies”

If Chicago music videos have taught me anything, Peter Cetera was more than competent in landing the lady. If you need proof of this, I highly recommend “Along Comes A Woman” and “Stay the Night.” And if you want to see him lose the lady, also watch both music videos.

And no, there is no accompanying article for “Stay the Night”…yet. I don’t write about every Chicago song there is!

Come for the heartbreak, stay for the horn section cameo. Those guys are the true actors of the group.

Peter Cetera’s departure from Chicago in 1985 didn’t mean career suicide; it actually meant the opposite – numerous hits and albums, and songs with several ladies of singing abilities.

There was Amy Grant, Sheena Easton, and Crystal Bernard…

Oh yes, Crystal Bernard, or as association goes…

“The Southern Blonde From Wings

If Crystal Bernard’s name doesn’t sound familiar to you immediately, it is her face and voice you’ll know immediately. From 1990 until 1997, she played sassy lunch counter owner and on-off-accidental-fiancee-wife Helen Chappel (later Hackett) on the NBC sitcom Wings. It was her spitfire personality that made her shine on the show, which is still one of my favorite sitcoms of the ’90s.

Plus she slept with Tim Daly’s character. She officially made millions of lovesick women jealous. We all knew who these ladies wanted to “take forever tonight” with.

The two characters took their bickering and on/off relationship to the next level when Joe proclaimed his love for the engaged Helen (after the aforementioned “accidental get together” that closed out season five), and subsequently married at the end of season six. The show’s humor didn’t suffer as a result of their marriage, and ran for two more years, so we could see them build a life together.

Coincidentally enough, her pairing with Peter Cetera on this song, which no doubt was the wedding song of at least five people in 1995, was released in the summer of 1995, shortly after the wedding of Helen and Joe.

The song had no connection to the sitcom’s nuptials episode, but it seems very coincidental that the song’s release has this timing.

One Clear Voice…One Disappointing Critical Response

The song was released as part of Cetera’s 1995 album One Clear Voice, which was not commercially successful, but this modestly successful single charted at #22 on the Adult Contemporary Chart, and #86 on the Pop Chart. Bernard was chosen by Cetera to sing this song after he heard her demo tape. In reality, Bernard had been singing most of her life, and released several albums in the 1990s.

Despite the less-than-stellar charting position, the song (and the accompanying video) are beautiful and perfect.

Cetera dreams/sings of the girl…

The girl sings about him…

He pictures them making beautiful music together…

She passes him in a chance encounter…

She probably wonders who the heck this guy is…

And Cetera loses the girl.

Oh wow, it’s “Along Comes a Woman” all over again!

That’s um…sorta depressing.

But these two make beautiful music (and a beatiful video) together!

I hope you enjoy it just as much as I do.

Uploaded by Ed Saka

So, we know who Crystal Bernard wanted to “take forever tonight” with, but what about Peter Cetera?

It isn’t that much of a stretch!

Along Comes a Woman…And Indiana Cetera!

Despite how I feel about Peter Cetera’s attitude toward his former bandmates Chicago (if you don’t remember, Exhibit A is a good place to start), It is hard to not love his music, or Cetera’s contributions to their success as a group.

Feeling otherwise would rock my credibility as a Chicago fan, and we can’t have that!

The Era of Cetera…

By the early 1980s, Peter Cetera was no longer the Peter Cetera of the 1970s. He had slimmed down, cut his hair, and was taking more of a confident stance in his songwriting. He even released his first solo effort in 1981, a self-titled album that was met with commercial failure. I’ll assume it had something to do with critics only seeing him as part of Chicago. And not only were the changes happening with him, times were a-changing for Chicago as well (oh yes they were). The band was paid by CBS/Columbia in 1980 to leave the label after declining sales and that unfortunate Chicago 13 album failed to garner the earlier successes they had. Donnie Dacus was out, Exhibit A was destined to be forgotten (again, easy to click if you need reference), and Bill Champlain was in by 1981.

You know how I feel about him too, and trust me, it has nothing to do with the music. Because the music is awesome.

In 1984, amidst a rejuvenated success, a new contract with Warner Bros. (oooh, another story for you to read by clicking this!), and David Foster’s mad producing skills, Chicago 17 was guaranteed to be huge!

How huge, you ask?

It was their biggest selling album, all the released singles charted in the top 20, and two words: David Foster (Related: This, this, and this! Oh, and THIS!). By this time Chicago was firmly establishing themselves in reinvention (leaving the gritty behind, and moving on to the power of ballads), finding their voice all over again, and proving those critics who believed they were done in the late 1970s so very wrong.

The fourth of the four charting singles from this album (aside from “Stay the Night,” “Hard Habit to Break,” and “You’re the Inspiration”) was a track from side two, the oh-so-fun “Along Comes a Woman,” which sees Cetera not only singing the lead, but also starring in the video as the dashing hero.

And Along Comes Something Different…

“Along Comes A Woman” was a video that saw Chicago in a different (and kinda cool!) light. If this was part of reinvention, then it was a fun way to do it.

I’m wondering if anyone knew the changes that were coming after this single was released…

Anyway, “Along Comes a Woman” was the fourth and final single released from Chicago 17, and dropped on February 4, 1985. It peaked at #14 on the Billboard Hot 100 Chart, and even spent time on MTV. It was clearly released at a time when music videos were a big deal, and was a huge departure from some of the previous music videos Chicago had done.

We have our dashing hero, “Indiana Cetera” (my labeling, of course), who is on the run from some baddies who want what he has.

But he’s good at hiding himself – and the valuable stuff.

Indiana Jones had boulders, Peter Cetera had mud.

But along comes a woman…

And some cameos by those three crazy guys in the horn section…

I seriously lol’d over James Pankow and Lee Loughnane ganging up on Walt Parazaider.

There’s Mandatory Horns…

Indy Cetera being forced to hand over the goods…

A Casablanca costume change…

Cetera gets the girl…

And loses the girl…

And along comes some guys…

I guess he got arrested?

And despite that turn of events, this was a funny and well-done music video. Different is not always a bad thing, and the acting from the horn section really makes this video funny. Cetera shines, but if you’ve seen James Pankow, Walt Parazaider, and Lee Loughnane perform live, you wouldn’t be shocked by anything you’ll seen here.

And along comes a music video…that you can watch by hitting play!

Uploaded by Hasse Hammarlund

I had heard this song because of the “Greatest Hits” album Only the Beginning, but I hadn’t seen many of Chicago’s music videos aside from “You’re the Inspiration” (which everyone has seen). Of the ones I’ve seen, this one is by far one of my favorites music videos. The acting is a bit silly, but you’re laughing too much to notice how hokey it really is.

At least the group got to have their fun, but reinvention happened not long after, as Peter Cetera exited the group in June 1985, ending the Cetera years. The next era was yet to come, but what great way to end this one.

And along comes an outro…

If you haven’t already noticed, Allison loves Chicago. She writes about it often (did you see all the hyperlinks along the way?). If you like what you see here, whether it is about Chicago or any of the other things she’s written about, you’ll love her blog, Allison’s Written Words. You can follow her antics from Retroist and Allison’s Written Words on her blog’s Facebook page, and she’s also on Twitter @AllisonGeeksOut.

And along comes a swift exit…