Welcome back, friends. To a new installment for Retro Records featuring 1975’s Star Trek: The Logistics of Stampede. Another one of those fantastic Power Records offerings – which of course allowed all manner of famous writers to tell abridged tales. Case in point with The Logistics of Stampede which so happens to have been penned by Alan Dean Foster.
Foster is pretty well known for writing numerous novelizations for films. Alien, Star Wars, Alien Nation, The Thing, Star Trek and many more. As well as his own standalone novels like Cat-a-lyst, Cyberway, and Slipt to name a few.
Power Records was of course a spinoff label so to speak of Peter Pan Records. One that was geared towards an older audience. Moreover this is why we saw Power Records book and records fare featuring Kojak, Planet of the Apes and Star Trek.
Which brings us to this offering for Retro Records. The Logistics of Stampede finds Kirk, Bones, and Spock beaming down to Ribol II. An agricultural planet that is in fact facing destruction of their precious crops by Dranzers. A cow-like beast that every six years becomes overpopulated and then stampedes across the plains. Destroying seventy to ninety percent of the grain crops!
Can our trio of heroes come up with a solution to halt the Dranzers? Can they protect the grain on Ribol II – which in addition helps to feed other planets in the Federation? Let’s find out as we listen to The Logistics of Stampede on Retro Records!
Having listened to The Logistics of Stampede perhaps you now need more Star Trek goodness?
Well, in this case how about the great and late Leonard Nimoy’s cover of Ruby, Don’t Take Your Love To Town? Which might be better known from Kenny Roger’s take back in 1969 – written by Mel Tillis of all people.
Not only a fine singer and performer, both with the Commodores and with his solo career, Lionel Richie will forever be remembered for his involvement with USA for Africa’s 1985 song “We Are the World,” which he co-wrote with Michael Jackson.
Man, can I just say that in 1985 I was ALL about Africa? I mean, I had the white sweatshirt that Kenny Rogers and others are wearing in the video. I had a poster of the whole chorus of singers on my bedroom wall.
I had (still have) the 45 single. I FORGOT I had the 45 and eagerly purchased a second copy of it when I found it at the local Salvation Army.
Produced by Quincy Jones, the idea to record the song (and the entire album) stemmed from singer Harry Belafonte’s desire to record something that would benefit the nonprofit United Support of Artists for Africa, which focused its efforts on alleviating starvation in Africa. Kenny Rogers, who I previously talked about in regards to his work and friendship with Lionel, was also instrumental in bringing the project together; he helped to rally the efforts of other singers and also provided Jones and company the use of his Lion Share Recording Studio, although the main group recording of the seminal song would later take place at A&M Recording Studio in Los Angeles.
The single for “We Are the World” sold more than 20 million copies. You may be surprised to know that “We Are the World” actually came to fruition a year after the celebrity-heavy Band Aid song in the U.K. “Do They Know It’s Christmas?” I never realized that, I thought it was the other way around. Although, perhaps “…Christmas” just gained more prominence here in the States because of the success of the multi-artist “…World” recording. Or maybe I just have a crap memory!
Years later, while watching MTV’s Half-Hour Comedy Hour, comedian Kevin Meaney did a hilarious reinterpretation, karaoke-style, of the song. He really nails his imitations of some of the singers. While the below clip is not from the MTV show (based on the curtains, I think it’s from an ’80s episode of The Tonight Show), it still captures the fun. His karaoke starts at the 2 minute mark.
In the 1970s and 1980s, the Gambler was pretty cool. Especially in my family’s house. After watching Six Pack I would dig through my Mom’s record collection, put on The Gambler and drift off to Kenny town.
This has to be one of the oddest set of Muppets ever broadcast on TV. I have watched this video many times on the web, but whenever I see that “real” young hand mixed with the weird old man puppet faces, I get dizzy and discombobulated and I find myself screaming myself raw trying to warn 1970s Kenny to get off that train before they turn him into one of them. I usually collapse from the pain of yelling and when I wake up I find that Kenny had in fact turned into one of the weird old/young muppets, but unlike these Muppets he has a young face and old everything else.
Is it odd that I take pride in the fact that when I watched TV Muppets smoked cigarettes? I don’t even think today’s Muppets are allowed to eat processed sugar.