V'ger - Star Trek the Motion Picture

Retroist Scoreboard 3-14-17: V’ger, you’re my knight in shining armor

Soundtrack fans, we’re in yet another unexpectedly meaty week of wonders, so let’s waste no time in diving right in.

La-La Land Records, as previously announced, is now taking orders for their limited edition (1500 copies) double LP vinyl pressing of Star Trek: The Motion Picture, returning Jerry Goldsmith’s magnum opus to turntables for the first time in nearly 40 years, this time with the complete score spread across four sides. (The CD box set has even more music, if you’re after music instead of a display piece: Goldsmith scored half the movie before coming up with the iconic Enterprise theme, which was later repurposed as the theme for Star Trek: The Next Generation, and the CD edition presents the complete score as heard in the movie plus what basically amounts to an unused alternate soundtrack.)
V'ger

While the first Star Trek movie is returning to vinyl, another classic movie is, incredibly, only just now making its way to CD thanks to Varese Sarabande, which is presenting Dave Grusin’s music from On Golden Pond, interspersed with dialogue from the movie (in some cases, quite lengthy chunks of dialogue).

Varese also has a trio of limited editions now available: an “encore” re-pressing of Elmer Bernstein’s score from Disney’s The Black Cauldron, limited to just 1000 copies for those who missed out on the last limited edition issue of this title.

For fans of high-octane action movies (and their music), there’s a new edition of Basil Poledouris’ music from the Steven Segal flick Under Siege 2: Dark Territory, more than doubling the running time of the original 1995 CD release. Even the movie’s source music is included as bonus tracks. What’s source music? Ask me that again in a minute.

And finally, John Williams’ score from the 1990’s Stanley & Iris gets a limited edition CD release of 3,000 copies, but that’s not all: tucked into the open space left by that movie’s score is a second Williams score hitting CD for the first time, 1972’s Pete ‘n’ Tillie. The two movies’ music are a good fit to share a CD: both are heartfelt relationship movies, and hey, it’s John Williams.

So…about source music: it’s a wonderful thing when original source music winds up as a bonus track on a CD…of course, that’s assuming that the director isn’t married to his temp track. Confused yet? That’s why we have another slice of the Retroist Scoreboard Glossary this week.

The Retroist Scoreboard Glossary: How The Sausage Gets Made
Additional Music – you’ll see this in movie and especially TV credits these days…often in small print. Particularly with the breakneck production timetable of television, but also with movies, composers must hire extra help to ghost-write the sheer amount of music needed within that timetable. Some of today’s biggest names were yesterday’s up-and-coming “additional music” composers: the ubiquitous Bear McCreary (10 Cloverfield Lane, The Walking Dead, Agents Of SHIELD, Outlander, Black Sails, Da Vinci’s Demons) got his break composing “additional music” for the 2003 Battlestar Galactica miniseries, whose primary composer moved on, leaving McCreary to take over the hourly series, making his career in the process. Due to the structure of CD release contracts with the primary composer, this additional music may or may not appear on an official release, leaving music from memorable scenes off the table. (Thus was the fate of the pivotal, Joel Goldsmith-composed “Flight Of The Phoenix” scene from Star Trek: First Contact, which was left off of the original 1996 soundtrack release at the label’s demand, simply because it wasn’t by primary composer Jerry Goldsmith.) In a few cases, the assistant composers may release their material as a composer promo.

Music+FX Track or Stem – a special mix of a movie or TV show’s music score and sound effects, prepared so that local voice artists in various parts of the world can do a language dub without the original actors’ voices in the background. Particularly with older films, this may be the closest we come to having a film’s original music tapes; it’s exceedingly rare to see a CD release of a Music+FX mix, but not unheard of (i.e. La-La Land’s “archival” release of Jerry Goldsmith’s rare score from The Satan Bug). Music+FX mixes are more often the domain of bootleggers.

Source Music – composers may be called upon to create “source music” for a scene in which a movie’s characters can hear that song in question from some on-screen source – a radio, a jukebox, a band on stage, to name a few examples. (Contrast this against the movie’s score, which the characters do not hear.) Some reissue producers go out of their way to include specially composed source music, particularly if it’s been the subject of “what was that song…?” debates for years and years. In some cases, source music is a piece of music from a movie’s songtrack.

Spotting – a process during pre-production of a movie or TV show in which the composer sits in on a screening of a rough edit to discuss the timing, placement and emotional thrust of the music with the director and/or editor(s), sometimes using temp tracks as a guide. (These meetings are called spotting sessions.) Once spotting is complete, the process of composing actually begins, though some composers may discover at a very late stage that the director’s ideas on spotting has changed, and their music has been tracked over a completely different scene…or has been replaced with a piece of the temp track.

Temp Track – a “temporary track” is often assembled, during a movie’s editing process, by the director and/or the film editor to track scenes in a movie that has no score yet. Temp tracks are often cobbled together from classical pieces or other movie soundtracks, and a composer hired to score a movie will often be asked to compose music with a similar feel…without actually duplicating it note-for-note, of course. The history of film music is rife with instances of directors falling in love with their temp tracks to the point that they either don’t hire a composer, or reject a specially commissioned score when it doesn’t live up to the director’s expectations (perhaps the most famous specimen of this category being Alex North’s unused original score for 2001: a space odyssey). Temp tracks are controversial in film music, whether for the perception that they limit a composer’s creativity, or for the not-limited-to-Kubrick phenomenon which plagues composers to this day (just this year, Johann Johannson’s score for Arrival was disqualified from Oscar contention because of the prominence of Max Richter’s composition, “On The Nature Of Daylight”, in key scenes of the movie – a holdover from the temp track that the director felt couldn’t be improved upon, costing his composer a nomination).

Tracking – once a composer has turned in a completed score, that music is at the mercy of the film’s director and/or editor(s), and may not appear where it was originally spotted. The music may be chopped up, edited and tracked in a different place entirely, such as >em>Star Wars Episode IStar Wars Episode III. Additionally, licensed or specially commissioned songs may be tracked into scenes, replacing sections of more traditional scoring (Ray Parker Jr.’s memorable song was tracked into as many scenes of Ghostbusters as possible late in editing, leaving significant portions of Elmer Bernstein’s score on the cutting room floor).

The Rainbow 100 Computer was Dreamy!

I grew up in Queens Village, New York and I always went with my parents to Jamaica Savings Bank (now Capital One). This bank was interesting for several reasons; the lighting was warm because most of it came from their huge windows, the tellers were separated from the public with very thick bullet proof glass, and the most importantly, their computers.
Rainbow 100
That’s me on the side of Jamaica Savings Bank in September of 1989.

There were a few desks and on each was a DEC Rainbow 100 computer. Which consisted of a monitor and keyboard. I didn’t realize until years later that there was a console attached because it was always out of sight. Under the desk perhaps?
Rainbow 100
I loved the shape of the monitor – the angle at which you looked at it mesmerized me every time I walked into the bank. My curiosity would always get the best of me and I found myself drifting over to a desk that no one was working at. I would stare at the set-up, dreaming of having a Rainbow 100 for myself. Now that I collect computers, I think it’s just a matter of time before I get one in my collection.

If that computer looks familiar, there’s a good reason for it; it was in a lot of movies. Beverly Hills Cop, The Philadelphia Experiment, The Adventures of Buckaroo Banzai Across the 8th Dimension and Ghostbusters.

The set up here is almost exactly what I saw in the bank minus the printer & console.

If you’re wondering about that wacky looking disk drive, well, this video will explain.

[Via] CelGenStudios

If you want to learn about the DEC Rainbow 100 computer, try here: http://www.columbia.edu/cu/computinghistory/rainbow.html

Ghostbusters - Cereal

1989 New Ghostbusters Movie Mystery Sweepstakes

The Real Ghostbusters animated series was pretty special. Not just because it helped expand the Ghostbusters universe. But furthermore produced a myriad offering of toys, coloring books, and of course tasty food products. Like Ecto-Cooler and the official cereal.
ghostbusters-cereal-ralston

I personally believe that the animated series helped to actually get Ghostbusters II made. The animated series ran from 1986 until 1991. While it originally started as a Saturday morning cartoon – it quickly became syndicated. Which in fact meant that every afternoon more and more children were itching to see more busting of ghosts!
the-real-ghostbusters-poster

The popularity of that vintage show – not to mention toy sales, must have helped the filmmakers decide to push ahead on a sequel. In particular in this case they probably saw the amount of money a sequel could make. I can remember how excited I was when I first saw that Ghostbusters II trailer.

[Via] Myx Movie

Ghostbusters II would have an impressive amount of tie-in products. You had Coca-Cola and Hardee’s. In addition to Ralston’s aforementioned Ghostbusters cereal. It was Ralston that came up with the idea of including a small 33 1/3 record in boxes.
Ghosbusters

It featured none other than Maurice Lamarche voicing his character from The Real Ghosbusters as Dr. Egon Spengler. In addition it also showcased Rob Paulson. The latter acted sort of as a host with Egon asking the listeners trivia questions about Ghostbusters II.
ghostbusters-ii

Bear in mind this was a sweepstakes however, so it meant some prizes were up for grabs. What were they? You could win a visit to the headquarters but in addition also meet a “Real” Ghostbuster!

[Via] Chris J

How would you like to listen to those Ghosbusters Movie Mystery Sweepstakes records?


There were two different sweepstakes records produced. One was white hued and the other had yellow-gold color. They had different questions on them but thanks to Vinnie Donadio we can listen to them right this minute.

Happy Ghostbusters Day!

Well, if you are like many fans today you might be planning to celebrate Ghostbusters Day by heading out to your local theater and catching the 1984 Ghostbusters in rerelease…as well as getting a sneak peek of the upcoming remake.

[Via] Fathom Events

Or perhaps you are cracking a smile checking out Paul Feig’s pic he uploaded on Twitter of the surviving original cast members laughing it up with the cast of the new film?

Or you might even be enjoying some of that wonderful and delicious Ecto-Cooler…you know…if you are fortunate to have been able to snag some from Amazon.Com or be near an actual location that happens to sell it? I do apologize if I sound a little bitter over the handling of this particular matter…

Ecto Cooler - Hi C

…thanks to The Nerdist we know that Build-A-Bear is offering three different Ghostbusters themed products. You can outfit your personal bear with a Ghostbusters outfit or make a Slimer or even a Stay Puft Marshmallow Man!

Image courtesy of Nerdist.Com

Image courtesy of Nerdist.Com

Or maybe you might just hang out at home and check out the 1989 Making of The Real Ghostbusters!

[Via] Dr. Tart

Another grand idea might be taking the opportunity to listen to Episode 052 of the Retroist Podcast featuring the Ghostbusters!

Whatever you end up doing on Ghostbusters Day take a moment and be glad that the Ghostbusters are still going strong in popular culture!
Ghostbusters - Facebook

This “Defender Of The Nerd-Verse” T-Shirt Has You Covered!

Back to the Future, Teenage Mutant Ninja Turtles, Ghostbusters, Batman ’66 and of course Dr. Who are franchises with very memorable vehicles for the main protagonists to get around in, no one is questioning that.

But Nerd B. is asks us to imagine what kind of shadowy menace or criminal mastermind must have arrived from the spirit world of the past or future that all of these heroes must band together to form a new type of Voltron who in this case is the ultimate Defender of the Nerd-verse?

Images courtesy of RedBubble.com

Images courtesy of RedBubble.com

Besides being a wonderful illustration it also happens to be a T-shirt that you can pick up over RedBubble.com. A big thanks to the Intergalactic Geek Alliance for the heads up on this bit of fan art!